By dragging this mysterious-looking item into the toolbar, you add a gap between it and whatever icon is to its left. (Equivalent: the File→Burn to Disc command.) This button burns a blank CD or DVD with the folders and files you’ve dragged onto it. (Equivalent: the File→Eject command, or holding down the key on your keyboard.)īurn. This button ejects whichever disk or disk image is currently highlighted. (Equivalent: ⌘-clicking a window’s title.)Įject ( ). When clicked, it reveals (and lets you navigate) the hierarchy-the path-of folders you open to reach whichever window is open. Most of the gallery elements are buttons, but this one creates a pop-up menu on the toolbar. It’s a handy way to search your Mac for some file, folder, disk, or program. This little round-ended text box is yet another entry point for the Spotlight feature described in Chapter 3. Here’s the Tags menu described on Broken Aliases. You can read about this context-sensitive pop-up menu on Notes on Disk Swapping. You can read about this context-sensitive pop-up menu on Shortcut Menus, Action Menus. This pop-up menu lets you group the files in a window by date, name, or other criteria see Arrange By and Sort By.Īction ( ). Clicking it brings up the Search window.Īrrange ( ). Furthermore, the search box turns into a one-word button called Search. (Well, four looks, if you count Hide Toolbar.) In Text Only mode (bottom), the four View buttons are replaced by a little pop-up menu called View. Figure 4-7. If you right-click (or two-finger click) a blank spot on the toolbar, you get a pop-up menu that offers you a choice of three looks for the buttons here: Icon Only, Text Only, or Icon and Text.
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If you choose to purchase a Starfall subscription, a $5.99 (USD) payment will be applied to your Google Play account upon confirmation of purchase and monthly after that. –Sarah, undergraduate at Stanford University “I truly believe that Starfall set the foundation for my future.” Starfall does an excellent job of offering clear and intriguing early literacy lessons." -Common Sense Media Skill acquisition is appropriately gradual. "Kids can learn about letter recognition, phonics, and reading. Listed on PC Magazine’s “15 best Online Learning Services for Kids,” Think Five’s “Top 5 Most Used Apps by Elementary Teachers,” and as one Parent's Magazine's "70 Best Apps for Families." *Pass it forward! Subscribers gain access to hundreds of additional activities and support the free sections for others to enjoy. Whether a free user or subscriber, you won’t see any ads. All of the basics for learning how to read are available to everyone. Starfall's systematic approach was created by experienced educators using time-tested instructional methods. *Research based, teacher tested, child approved. *More - Holiday Activities, Nursery Rhymes, Sing-Alongs, Interactive Calendar *Math - Numbers, Addition and Subtraction, Multiplication and Division, Geometry and Measurement, Fractions *Reading (phonics, fluency, grammar) - ABCs, Learn to Read, I’m Reading, Talking Library, Punctuation, Parts of Speech Starfall's playful open format intuitively guides children through sequential learning objectives for reading, math, art, music, and social subjects like kindness and caring. Join Zac the Rat and his friends on an exciting learning journey, starting with the ABCs and 123s and advancing up to grade 5 grammar and mathematics. Read, learn, and play with fun activities, games, and songs on Starfall! Covers reading, math, music, and more - preschool to fifth grade. Many organizations are already on board and their leaders are well aware of the pervasive impact of the social determinants of health. We also wanted a neighborhood with a strong community base and organizations that have the capacity to house a neighborhood transformation team.” “We want to do a demonstration project that will also create a firewall between those sections of the East side that are threatened by gentrification and those that aren’t in harm’s way at this point. “We’ve identified those geographies that we think are most threatened,” he says. It also includes how much a neighborhood is threatened by gentrification, a new and growing challenge. The neighborhood that is chosen must rank high on the hardship index, a measure that Taylor created for all East Side neighborhoods, which takes into account factors such as levels of income, education and employment, poverty rate, and the percentage of residents paying 40% or more of their income on rent. We thought, why don’t we try something new and different?”ĭetails of the report and discussion of which neighborhood will host the project will be shared in a public meeting to be scheduled early in 2024. “Every book, every article we can get our hands on critiques this model. “Is it morally correct to build neighborhoods based on keeping groups out simply because of their income and, in some instances, race?” Taylor asks. While that can create some opportunity for middle-income families, he says, it does nothing for lower-income families. “Exclusion on the basis of race and class is what keeps property values high.” This is the case even where African Americans are developing properties. “Homeownership is seen as an instrument of wealth production,” says Taylor. Throughout the United States, and in Western New York, neighborhoods are based on the premise of the commodification of shelter. “We have to build a different type of neighborhood.” “This is the first time in the history of this city where we have outlined a clear and precise strategic approach to the development of a Black neighborhood,” says Taylor, who has devoted his career to studying neighborhood development. It describes a demonstration project that transforms a selected East Side neighborhood into “a great place to live, work, play and raise a family for the actually existing population.” The project will then serve as a model for subsequent neighborhood transformations. It found that conditions in physical neighborhoods had deteriorated and that now there was a new, even more dangerous threat: gentrification.ĭozens of community activists, academics and policymakers have contributed their perspectives to “How We Change the Black East Side,” which underwent numerous revisions based on their input. That request followed the Center for Urban Studies’ 2021 report, “The Harder We Run: The State of Black Buffalo in 1990 and the Present,” which clearly demonstrated that Black Buffalo has not made progress during the past three-plus decades. The Center for Urban Studies developed the report in response to the Buffalo Center for Health Equity’s request for a conceptual framework for a neighborhood demonstration project. We will create these positive health outcomes by changing the physical, social and economic conditions found in the neighborhood.” “We will see less infant mortality, fewer children born with birth weights that are too low, stresses will be reduced and so will a lot of illnesses that are catalyzed by high levels of stress. “The goal of this neighborhood transformation is that people will live longer and better,” says Taylor, an associate director of UB’s Community Health Equity Research Institute. “Health outcomes will be the key metric of success,” says Henry-Louis Taylor Jr., PhD, director of UB’s Center for Urban Studies, professor of urban and regional planning in the School of Architecture and Planning, and lead author of the report guiding the effort: “How We Change the Black East Side: A Neighborhood Planning and Development Framework.” – A coalition of community groups and activists is coming together with University at Buffalo planners and researchers to radically transform one Black East Side neighborhood, and to do it sooner rather than later.ĭriven by strong collaborations between community organizations, including the Buffalo Center for Health Equity, the UB Community Health Equity Research Institute, the School of Architecture and Planning, and the Jacobs School of Medicine and Biomedical Sciences at UB, the effort is aimed at tackling the root causes of the social determinants of health in order to improve the health of people who live on Buffalo’s East Side. allow-presentationĪllows embedders to have control over whether an iframe can start a presentation session. This will allow, for example, a third-party advertisement to be safely sandboxed without forcing the same restrictions upon the page the ad links to. allow-popups-to-escape-sandboxĪllows a sandboxed document to open new windows without forcing the sandboxing flags upon them. If this keyword is not used, that functionality will silently fail. allow-popupsĪllows popups (like from Window.open(), target="_blank", Window.showModalDialog()). allow-pointer-lockĪllows the page to use the Pointer Lock API. Lets the resource lock the screen orientation. It also allows the page to receive BeforeUnloadEvent event. allow-modalsĪllows the page to open modal windows by Window.alert(), nfirm(), Window.print() and Window.prompt(), while opening a is allowed regardless of this keyword. If this keyword is not used, form will be displayed as normal, but submitting it will not trigger input validation, sending data to a web server or closing a dialog. allow-formsĪllows the page to submit forms. allow-downloads-without-user-activation ExperimentalĪllows for downloads to occur without a gesture from the user. This works regardless of whether the user clicked on the link, or JS code initiated it without user interaction. The value of the attribute can either be empty to apply all restrictions, or space-separated tokens to lift particular restrictions: allow-downloadsĪllows downloading files through an or element with the download attribute, as well as through the navigation that leads to a download of a file. sandboxĬontrols the restrictions applied to the content embedded in the. This value is unsafe, because it leaks origins and paths from TLS-protected resources to insecure origins. The referrer will include the origin and the path (but not the fragment, password, or username). Send a full URL when performing a same-origin request, only send the origin when the protocol security level stays the same (HTTPS→HTTPS), and send no header to a less secure destination (HTTPS→HTTP). strict-origin-when-cross-origin (default) Only send the origin of the document as the referrer when the protocol security level stays the same (HTTPS→HTTPS), but don't send it to a less secure destination (HTTPS→HTTP). same-originĪ referrer will be sent for same origin, but cross-origin requests will contain no referrer information. Navigations on the same origin will still include the path. The referrer sent to other origins will be limited to the scheme, the host, and the port. The sent referrer will be limited to the origin of the referring page: its scheme, host, and port. The Referer header will not be sent to origins without TLS ( HTTPS). Indicates which referrer to send when fetching the frame's resource: no-referrer This can be used in the target attribute of the, , or elements the formtarget attribute of the or elements or the windowName parameter in the window.open() method. Note: Loading is only deferred when JavaScript is enabled.Ī targetable name for the embedded browsing context. This improves the performance and cost in most typical use cases, in particular by reducing initial page load times. The intent is to avoid using the network and storage bandwidth required to fetch the frame until the browser is reasonably certain that it will be needed. lazyĭefer loading of the iframe until it reaches a calculated distance from the visual viewport, as defined by the browser. Load the iframe immediately on page load (this is the default value). Indicates when the browser should load the iframe: eager csp ExperimentalĪ Content Security Policy enforced for the embedded resource. See IFrame credentialless for more details. In return, the Cross-Origin-Embedder-Policy (COEP) embedding rules can be lifted, so documents with COEP set can embed third-party documents that do not. It uses a new context local to the top-level document lifetime. It doesn't have access to the network, cookies, and storage data associated with its origin. Set to true to make the credentialless, meaning that its content will be loaded in a new, ephemeral context. Note: This attribute is considered a legacy attribute and redefined as allow="payment". Allowing cross-origin use of images and canvas.HTML table advanced features and accessibility.From object to iframe - other embedding technologies.Assessment: Structuring a page of content. Lateral Surface Area, LSA = Ph = 6( area of the rectangle) = 6ah sq. = 6b(a + h) or 6ah + 3√3a 2 (in case of regular hexagonal prism) Total Surface Area, TSA= 2(area of hexagon base) + 6(area of rectangle face) sq. If the apothem length of the prism is "a", the base length of the prism is "b" and the height of the prism is "h", the surface area of a hexagonal prism is given as: The surface area of a hexagonal prism gives the area of each face of the prism. The surface area of a hexagonal prism is the sum of the areas of its faces and its base. Draw the top face of the cuboid with two pairs of parallel lines.Formula of Surface Area of Hexagonal Prism.Draw vertical lines at the ends of the oblique lines.to the left and up, and to the right and up for the dimensions of the base of the cuboid. Pick a dot, draw a vertical line for the height of the cuboid and draw oblique lines close oblique line A line that is slanted, neither horizontal nor vertical.The correct orientation is when the longest line is vertical. First make sure the paper is the right way round.To draw a cuboid close cuboid A 3D shape with six rectangular faces. For a skeleton 3D shape, make the hidden edges dotted lines. For a solid 3D shape, rub out the edges that would be hidden from view.Draw the same shape higher and to the right of the original shape.Use faint lines when drawing, so that they can be made heavier or lighter as needed when complete.To draw any 3D shape with a constant cross-section close cross-section The face that results from slicing through a solid shape. A useful background for drawing three dimensional (3D) objects. On each side of the base draw an isosceles triangle.Ī 3D shape may be drawn on plain paper as a sketch or on an isometric grid close isometric grid A pattern of lines or dots arranged at regular intervals and angles of 60°.The height of the triangle is the slant height close slant height On a pyramid the height of an isosceles triangle face, the distance from the apex to the midpoint of the base. The measurements given are the side-length of the polygon and the height of each triangle.The net is made up of the base polygon and congruent isosceles triangles attached to each side of the base.Named by the shape of its base, such as square-based or hexagon-based.: To draw the net of a pyramid close pyramid A 3D shape with a polygon-shaped base and a pointed apex. The polygon is drawn at each end of one of the rectangles.One dimension of a rectangle is the length of the prism, the other is the side-length of the polygon cross-section. The number of rectangles is equal to the number of sides of the polygon.The net is made up of congruent rectangles and two polygon ends.To draw the net of a prism with a regular polygon close polygon A 2D shape with three or more edges and vertices. A triangle is drawn at each end of one of the rectangles, making sure that when folded the edge lengths match exactly.The rectangles are drawn next to each other, joined along the dimension that is the length of the prism.Each angle is a different size., the rectangles are all different. For a cross-section that is a scalene triangle close scalene triangle Each side is a different length.Two angles are the same size., two of the rectangles are congruent. For a cross-section that is an isosceles triangle close isosceles triangle Two sides are equal in length.that is an equilateral triangle, the rectangles are congruent close congruent Shapes that are the same shape and size, they are identical. For a cross-section close cross-section The face that results from slicing through a solid shape.The net is made up of three rectangles and two triangles.To draw the net of a triangular prism close prism A 3D shape with a constant polygon cross-section.: There are eleven different ways of arranging the square for a correct net of a cube. The net is made up of six congruent squares joined together along their edges. The top and base faces do not touch on the 3D shape, this is also true on the net. The top face must not touch the base face at all (edge or vertex). , which has the same dimensions as the top face.ĭraw the faces that are attached to the base face.ĭraw the top face attached to an edge of the front or back, or left or right face. or square.ĭraw the base face close base face The face that the shape rests on. Each face is a rectangle close rectangle A quadrilateral with opposite pairs of sides that are both equal in length and parallel. The opposite faces are congruent., imagine the 3D close 3D Three-dimensions: length, width and height. or a cuboid close cuboid A 3D shape with six rectangular faces. To draw a net of a cube close cube A 3D shape with six square faces. If there was more than one row, then the same horizontal alignment would occur between the rows. In the code this is accomplished via the calls to layoutbox.align. Because they have the same maximum row they are lined up at the bottom. Because they have the same minimum row, they are lined up at the top. The Subplotspec boxes are laid out in the code in the subroutine arange_subplotspecs(), which simply checks the subplotspecs in the code against one another and stacks them appropriately. However, because the decorations in the right-hand plot are so much smaller than the left-hand, so the right-hand layoutboxes are smaller. In the code, this is accomplished by the entries in do_constrained_layout() like:įor this case, the Axes layoutboxes and the Subplotspec boxes still co-incide. Note the difference between the red pos box and the green ax box is set by the size of the decorations around the Axes. The Subplotspec and Axes boxes also coincide because the Axes has no colorbar. The Figure and outer Gridspec layoutboxes coincide. # Simple case: one Axesįor a single Axes the layout is straight forward. At the top level, it is desirable for symmetry, but it also makes room for suptitle open in new window.įor the Subplotspec/Axes case, Axes often have colorbars or other annotations that need to be packaged inside the Subplotspec, hence the need for the outer layer. For the Gridspec case, a container is needed if the Gridspec is nested via GridSpecFromSubplotSpec open in new window. Why so many stacked containers? Ideally, all that would be needed are the Axes layout boxes. The second layoutbox corresponds to the Axes' ax.position, which sets where in the figure the spines are placed. The first one, ax._layoutbox represents the outside of the Axes and all its decorations (i.e. The nesting of gridspecs created with GridSpecFromSubplotSpec open in new window can be arbitrarily deep.Įach Axes open in new window has two layoutboxes. # Figure layoutĮach item has a layoutbox associated with it. The algorithm for the constraint is relatively straightforward, but has some complexity due to the complex ways we can layout a figure. If there is a bug, please report with a self-contained example that does not require outside data or dependencies (other than numpy). There is a bug - in which case open an issue at open in new window.There was not enough room for the elements you were requesting to draw.If this happens, it is for one of two reasons: The usual failure mode is for all sizes to collapse to their smallest allowable value. Because it uses a constraint solver the solver can find solutions that are mathematically correct, but that aren't at all what the user wants. There are small differences in how the backends handle rendering fonts, so the results will not be pixel-identical.Ĭonstrained-layout can fail in somewhat unexpected ways.This is often true, but there are rare cases where it is not.
Some of his best moments were serious rather than funny. They will enter a landscape in which the targets are less vivid than during Noah’s seven-year tenure: a norm-busting Trump presidency, global pandemic and racial reckoning that saw the South African comedian deliver some of his most thoughtful work.Īt 38, Noah is eager to get back to comedy touring and other projects, having brought an international and multicultural perspective to The Daily Show and an under-appreciated skill as an interviewer. Al Franken, Chelsea Handler, DL Hughley, Leslie Jones, John Leguizamo, Hasan Minhaj, Kal Penn, Sarah Silverman, Wanda Sykes and Marlon Wayans are set to take turns as guest hosts when the program returns on 17 January. The two parting shots captured the contrast between Stewart and Noah, whose own heir has not yet been announced. “Because unlike everybody else, Black women cannot afford to fuck around and find out.” “I always tell people: if you truly want to learn about America, talk to Black women,” he said, his eyes clouding. Stand-up is the same.Earlier this month Stewart’s successor, Trevor Noah, delivered his own final monologue as he departed the show. You wouldn’t go to a haunted house and say, ‘Why are these people lying to me?’-the point is the ride. I use the tools of stand-up comedy-hyperbole, changing names and locations, and compressing timelines to tell entertaining stories. Yes, I roasted Jared Kushner to his face. Yes, I had varicocele repair surgery so we could get pregnant. Yes, I had an interaction with law enforcement during the war on terror. Yes, a letter with powder was sent to my apartment that almost harmed my daughter. Yes, I was rejected from going to prom because of my race. Minhaj elaborated on this process in a statement to Vanity Fair : “All my stand-up stories are based on events that happened to me. My comedy Arnold Palmer is 70% emotional truth-this happened-and then 30% hyperbole, exaggeration, fiction.” “The factual truth is secondary.” He added, “Every story in my style is built around a seed of truth. “The emotional truth is first,” said Minhaj. In an interview with The New Yorker’s Clare Malone for the piece, Minhaj admitted that some of his stand-up material was not factually accurate. The piece revealed that the comedian fabricated or otherwise embellished some Islamophobic experiences detailed in his comedy specials. Sources told Variety that Comedy Central “is considering a wider array of candidates to take the reins of the program” beyond Minhaj, who faced backlash in the wake of a recent story in The New Yorker. As reported by Deadline, The Daily Show will return on Monday, October 16, with a to-be-announced guest host guests hosts will run the show for the remainder of the year, with an official replacement slated to take over the desk in 2024. The late-night series is “going back to square one” in its search for a new full-time host, Variety reports former Daily Show correspondent and Patriot Act host Hasan Minhaj was previously floated as a front-runner for the permanent gig. When it comes to finding Trevor Noah’s permanent successor, The Daily Show is reportedly headed back to the drawing board. In addition, the dual exhaust pipes allow for greater airflow and faster fume expulsion. They can also increase visibility for everyone. These are known as the ID and OD, and determine the size of the rest of the pieces.Įxhaust stacks are designed to protect the people who drive and ride near the truck. Trucks with exhaust stacks have to follow some strict measurements. They’re also aesthetically pleasing, as they add a sleek look to any truck. The stacks are designed to make driving more pleasant for motorists. The exhaust stacks on trucks make a big, semi-like roar when they are moving. Over time, these can rust inside your truck. Additionally, they’ll catch everything that falls on the road. However, they take up space and make holes in your bed. Straight stacks, on the other hand, give your truck a rugged look. Installing smoke stacks on your truck will also improve its looks. It will give your truck a more powerful performance, and your customers will appreciate it. It will make your truck sound better, too, and other drivers will be scared to pass your truck. If you have a new truck, consider installing a smoke stack on it. A smoke stack exhaust system will make your truck pull harder, climb faster, and hit higher speeds. Also, stacks can become dirty and contaminated, especially if the cargo occupies a large portion of the bed.Įxhaust systems are a great way to boost the performance of trucks. Some stacks take up a large amount of space in the bed of a truck, making it difficult to place sensitive cargo. While they’re not necessary for all trucks, they’re useful for some types of cargo. Many trucks have smoke stacks installed on them to create a roaring sound that’s similar to a semi’s. Womens Knee High Socks Athletic Thin Stripes Tube Socks High Stockings Outdoor Sport Socks. Huiyemy Stranger Things 3 Elf Eleven Jane Hopper Fight Suit, Cosplay Costume Set for Women, S. The hefty Field Pack gets a Demogorgon hunting-ready makeover with two water bottle pockets, utilitarian touches and a padded laptop compartment that fits devices up to 15 inches while the Right Pack comes in two colorways and is finished with patches of the Hellfire Club (Hawkins’ official Dungeons & Dragons club) and a D20 zipper pull. Rubies 700032L Stranger Things Childs Season 1 Eleven Dress, Large,As Shown. VersusModa Simil Robin Steve Set Carnival Dress Cosplay Stranger Costume Things ROBIST01. Launching tomorrow, the five-piece line ($40 to $80) includes some of the Colorado-based company’s most popular styles from the ’80s - all finished with an Upside-Down twist on the brand’s iconic label. PDF Costume Pattern - The Fancy Dress and Bloomers Cosplay Costume PDF Pattern 4 Ponyo, Princesses, Stranger Things, Party Dresses, Eleven, (218) 9. Kids Stranger Eleven Things Cosplay Costume Eleven Fancy Dress with Bag Season 4 Party Halloween Dress up for Girls. Ahead of season four’s premiere, the accessories brand is debuting a retro bag collection inspired by Hawkins High’s heroes (and their enemies). Halloween Dress for Kids Girls Movie Cosplay Costumes. From Elevens roller rink milkshake dress to Dustins. Stranger Thingsfans can go back to school like it’s 1986 with the Netflix series’ new JanSport collaboration. Stranger Things costume designer Amy Parris breaks down every element that went into fitting the cast for season 4 of Stranger Things. If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission. SWiSH Max is good software for pc and so mac os x. Nevertheless, this program is cheaper to make use of and simpler, which fits many Flash programmers. fla records data, which regularly limits exchanges that might in any other case happen between different applications to the ultimate. It doesn’t matter what kind of document you need to layout and print from brochures and calendars to CD labels and eye-catching, professional business cards Swift Publisher covers it all. Certainly one of its greatest drawbacks is the very fact it can not open or save. Swift Publisher is a super-intuitive, all-purpose page layout and desktop publishing app for Mac. SWiSH Max is right for individuals who need to construct Flash components for his or her web site and/or need to make interactive cross-platform films. It has more positive points than drawbacks Best software for Pc Swish Max 4 and so software Release J. Geared up with the programming part like Java, the easy creation of easy varieties, the highly effective potential to import and export SWF records data, and likewise the very fascinating potential to cut back flash records data to the smallest quantity can be a cornerstone of the options of Swish max4 program is highly effective and widespread. Multiplies your energy in creating the work. The SWiSH Max 4 software program has 230 lovely and new results for putting on texts and pictures. You should use it to construct flash buttons and different flash results to make use of in your website and weblog. Also, SWiSH Max 4.0 is knowledgeable, but easy program for creating flash clips and web promoting.Īll in all, With the Swish Max 5 app, you may simply use textual content, footage, sound, and picture in your clips. It is also an offline Setup and standalone installer and a compressed version of Swift 3d. To conclude, let me invite you to try out this new yet exciting feature of swishmax - you just might like it.Swish max 4 Latest Version and Single Link for Windows. To do so, follow the instructions included in the SWiSH download. If you're using Windows 10 Mobile, you need to use the Windows Store to publish your app. Your custom app should now work fine on both Windows 7 Ultimate and Windows 10 Anniversary Edition. When you're done, make sure that your generated Windows app exits with a successful splash screen. If the generated app crashes, you should open the crash report included with the SWiSH download in order to find the exact reason why the app crashed.įrom here, it's easy - and fun - to add your own touches to your custom-made app. If everything went smoothly, you should see a browser window pop up displaying your generated app. Download Stickies App For Mac Vengaboys Shalala Lala Mp3 Song Free Download Fonts Creator Google Drive File Stream Download Mac Lagu Hadad Alwi Kaulah Ibuku Cinta Kasihku Infinite Undiscovery Xbox 360 Ntsc J Virtualbox Mac Os X 64 Bit Download Mac Os X 10. You should immediately see a preview of your generated code in the main window. Once this is downloaded and installed on your computer, simply launch the wishbone viewer, click "Start" button, and then click "OK". The following is an SWiSH max tutorial.įor this tutorial, we'll assume that you've downloaded and installed the latest version of the wishbone viewer, version 5.5. This open-source library is free to use for anyone who wants to build interactive prototypes using a combination of SWiSH's drawing tools and advanced features. It's written in C++ and can be used with the Mono, X Window, and Linux operating systems. SWiSH Max (pronounced Swish-Zow-mable Max) is a powerful, award-winning Flash, animation, and visual design tool that's often used to build high-quality interactive prototypes, demos, prototypes, and applications for web and mobile application development. |
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